By Ines von Ketelhodt
Flörsheim / Main, Germany: Ines von Ketelhodt, 2020. Edition of 35.
17.1 × 25.4 cm; 40 pages. Face illustrations and texts letterpress printed with polymer plates on Chromolux paper, which is coated on one side with aluminum. Reverse and uncoated side of the papers glued together along the front edge. Embossed cloth-covered boards. Housed in a paper-covered slipcase (17.4 × 26 × 1.5 cm). Design, face illustrations, letterpress and bookbinding by Ines von Ketelhodt. Signed and numbered by the artist.
Ines von Ketelhodt: "The book investigates the wide range of human facial expressions and the topic of facial recognition. Thanks to the mirror effect of the paper, which is coated in silver foil, viewers see themselves in the book as they turn the pages. They can imitate the illustrations of facial expressions that are printed on the foil, and modify their reflected images accordingly.
"The text passages from Georg Büchner's 'Lenz' (1839) describe 'all the subtle, barely noticed play of facial features,' 'the human nature,' respect and tolerance for individuals, the 'unique existence of each being,' as well as Medusa's head. The original German text is printed on each right-hand page, with an English translation on the left. The texts are set around an oval shape that is reminiscent of a mirror or even a face. Viewers can read the text by turning the book counter-clockwise. This also changes the reflected surroundings of the double-page spread."
Mienenspiel = Facial Recognition, Graphic Arts Collection, Princeton University(as of 9/8/2020): " In 1839, Georg Büchner published Lenz, a ground-breaking novella about schizophrenia. In 2020, Ines von Ketelhodt designed and published Mienenspiel, incorporating sections of Büchner’s text onto its reflective pages, placing the reader/viewer in the uncomfortable position of being outside and inside the book at the same time.
"The German dramatist and novelist Georg Büchner (1813-1837) died at the sadly young age of twenty-four, leaving the question of what he might have accomplished had he lived longer. In 1828 he became interested in politics and joined a group which later on probably became the Gießen and Darmstadt section of the 'Gesellschaft für Menschenrechte' (Society for Human Rights). In 1835, his first play, Dantons Tod (Danton’s Death) about the French revolution was published, followed by Lenz, a novella based on the life of poet Jakob Michael Reinhold Lenz.
"Lenz, Georg Büchner’s visionary exploration of an 18th-century playwright’s descent into madness, has been called the inception of European modernist prose. Elias Canetti considered this short novella one of the decisive reading experiences of his life, and writers as various as Paul Celan, Christa Wolff, Peter Schneider, and Gert Hofmann have paid homage to it in their works.
Published posthumously in 1839, Lenz provides a taut case study of three weeks in the life of schizophrenic, perhaps the first third-person text ever to be written from the 'inside' of insanity. An early experiment in docufiction, Büchner’s textual montage draws on the diary of J.F. Oberlin, the Alsatian pastor who briefly took care of Lenz in 1778, while also refracting Goethe’s memoir of his troubled friendship with the playwright.”